Brian Eno is a collector of pornographic playing cards, and the cover of Here Come the Warm Jets features the eight of spades: a young woman getting her bottom smacked by a dapper gentleman in a top hat. Another wonderfully perverse first impression.įor this album Eno continues in his Roxy Music role, treating other instruments with experimental studio effects and (as the liner notes say) "occasionally" playing the keyboard and synthesizer. In his later albums he would branch out, playing more and more instruments on each album, eventually creating everything on his own. Here Come the Warm Jets opens with the ecstatic "idiot energy" of Needles in the Camel's Eye. A synth organ cuts through the mix, echoing Eno's wail.Ī jangling wall of guitar noise and Eno's singular wail batter your eardrums into exhausted, smiling submission. This song is played in the opening credits of the 1998 glam mock-retrospective Velvet Goldmine, as a group of teens runs through the London streets to a Maxwell Demon concert. Twisted insane the insane asylum allmusic movie#Ī great opening for the movie and for the album. On the oddly-titled song The Paw Paw Negro Blowtorch, Eno vocally channels Bryan Ferry. ![]() The Eno fansite Enoweb quotes: "Eno explains that this song was inspired by the case of A.W. ![]() Underwood of Paw Paw, Michigan, who could set things on fire merely by breathing on them. ![]()
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